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The film received mixed reviews. The acting and visual effects were praised, while critiques of the story were mixed. It performed well at the box office, particularly outside of the US. It is Cruise's twentieth film to gross more than $200 million worldwide.
In the year 2077, Tech 49 Jack Harper (
Tom Cruise) is one of the last drone repairmen stationed on
Earth. Jack tells us that the planet was nearly destroyed sixty years earlier, during a war against a race of alien invaders known as Scavengers ("Scavs"). The Scavs destroyed the
moon, causing massive
earthquakes and
tsunamis, and then launched their invasion. They were only defeated by the use of
nuclear weapons, which left most of the planet irradiated and uninhabitable. The few surviving humans migrated to a
colony on
Titan, which is powered using energy harvested on Earth by giant ocean-borne power stations that generate
fusion power from seawater. From Tower 49, a base standing above the remains of the
northeastern United States, Jack and his partner and lover Victoria "Vika" Olsen (
Andrea Riseborough) work as a team to maintain the autonomous drones that defend the power stations from the few remaining Scav bandits. They receive their orders from Sally (
Melissa Leo), their mission commander, who is stationed on the "Tet," a massive
tetrahedral space station that orbits the Earth. Jack flies recon and repair missions to the surface, while Vika supervises from Tower 49. The two expect to leave Earth and join the other survivors on Titan in two weeks. Although Jack and Vika had their memories wiped five years earlier for security purposes, Jack has recurring dreams about meeting a mysterious woman at the
Empire State Buildingbefore the war - which was before he was born. Jack keeps a secret retreat in a forested area he sometimes visits.
A Scav signal beacon transmitting coordinates is followed shortly by the crash of a pre-invasion American spacecraft. Drones arrive at the crash site and kill the crew, but Jack manages to rescue a woman, Julia (
Olga Kurylenko), recognizing her as the woman from his dreams. Julia says her ship — the
Odyssey — was a
NASA mission, the objective of which she refuses to reveal, and she and Jack retrieve the ship's
flight recorder. They are captured by Scavs, who are revealed to be humans living in what remains of the
Raven Rock Mountain Complex. Their leader, Malcolm Beech (
Morgan Freeman), claims that the alien invasion was a lie and wants Jack to reprogram a captured drone in order to destroy the Tet by delivering a nuclear weapon. When Jack refuses, Malcolm releases the captives but urges them to seek the truth in the so-called "
radiation zone" that Jack is forbidden to enter.
On their way back to the Tower, Jack takes Julia to the ruins of the Empire State Building and asks her who she is. She reveals that she was his wife before the war. His dreams were flashbacks to the day he proposed to her on the Empire State Building's observation deck. As Jack and Julia share a loving embrace Vika watches via her video link to Jack’s ship, and when they return to the Tower she refuses them entry. When she informs Sally that she and Jack are no longer an "effective team," Sally activates a drone that kills Vika. Before the drone can kill Jack, Julia uses the weapons on Jack's ship to destroy the drone. Sally requests that Jack return to the Tet with Julia, but they flee in his ship instead, pursued by more drones. They crash in the radiation zone, where Jack comes face to face with Tech 52, a
clone of himself. He fights the clone, who, upon catching sight of Julia, also begins experiencing memory flashbacks, before Jack renders him unconscious. Jack sees that Julia has been seriously wounded by a stray bullet from his struggle with Tech 52. Jack impersonates Tech 52, activating his vehicle and going to Tower 52, where he encounters a clone of Vika, and steals a med kit to help Julia.
Shocked, Jack and Julia return to Beech, who tells them the truth: the Tet is in fact an alien
artificial intelligence that seized Earth to exploit the planet's resources, and Jack and Victoria are just two of many thousands of clones of their original selves (who were
astronauts from 2017) created as soldiers to carry out the invasion of Earth. The Tet uses drones programmed to kill humans on sight, thus forcing the survivors to disguise themselves as Scavs. The Tet uses clones of Jack and Vika to maintain the drones, and thereby its dominance. Jack agrees to reprogram the stolen drone to destroy the Tet. When leaving the underground stronghold with the reprogrammed drone, they are attacked by three other drones. The drones enter the base and wreak havoc inside, destroying the reprogrammed drone and wounding Beech in the process. The humans finally manage to destroy the three drones, but are forced to find another way to deliver the nuclear bomb to the Tet. Jack proposes delivering the bomb himself. To throw off suspicion, Julia suggests that she accompany Jack, since Sally had requested him to bring her to the Tet.
During the flight, Jack listens to the
Odyssey's flight recorder, which reveals that he and Victoria were originally pilots on the
Odyssey mission to Titan, which was reassigned by NASA when the Tet was discovered near
Saturn. Sally was their supervisor at NASA mission control, with other personnel, including Julia, on board in
cryogenic capsules. Upon approach, the Tet drew them in with a
tractor beam. Recognizing that capture was imminent, Jack was able to jettison the sleeping crewmembers, who orbited for sixty years in
suspended animation until Beech sent the signal to recall their craft.
Jack enters the Tet, where he is met by a sentient tetrahedral structure that had adopted the persona of Sally. Jack opens the sleep capsule to reveal Beech; Julia simultaneously emerges from another sleeping capsule at Jack's secret forest retreat. The two men trigger the nuclear bomb and destroy the Tet at the cost of their own lives. The destruction of the Tet also deactivates the remaining drones around the world just as they were about to slaughter the survivors at the Scavs' underground base.
Three years later, Julia is living with her young daughter in the forest retreat on the recovering Earth. A group of survivors arrive there, and Tech 52 emerges from the group. A voice-over by Tech 52 reveals that his previous encounter had re-awakened memories of Julia, and he had searched for her since the Tet's destruction. Having the same latent memories as Tech 49, he then reunites with "his" family.
- Tom Cruise as Commander Jack Harper, a repairman who repairs the alien drones that hunt down the last remaining free humans on a ruined Earth.[13]
- Morgan Freeman as Malcolm Beech, a resistance leader on Earth.[14]
- Olga Kurylenko as Julia Rusakova, an astronaut and Jack's wife before the invasion.
- Andrea Riseborough as Victoria Olsen, Jack's communications officer, lover, and former co-pilot.
- Nikolaj Coster-Waldau as Sykes, a battle-hardened and athletic military weapons expert in the resistance.[15]
- Melissa Leo as Sally, Jack and Victoria's mission controller.
- Zoë Bell as Kara, a resistance soldier.
The Bubble Ship seen in the film (above) was inspired by the
Bell 47 helicopter (below).
Kosinski wanted to film a cinematic adaptation of the graphic novel
Oblivion, which he started to co-write with Arvid Nelson for
Radical Comics. The novel however was never finished, as Koskinski now admits that it "It was just a stage in the project [of film development]". He explained in an interview with Empire that "partnership with Radical Comics allowed me to continue working on the story by developing a series of images and continuing to refine the story more over a period of years. Then I basically used all that development as a pitch kit to the studio. So even though we really never released it as an illustrated novel the story is being told as a film, which was always the intention.”
[16][17] Disney, which produced Kosinski's previous direction
Tron: Legacy, acquired the film adaptation rights to
Oblivion in August 2010 after a heated auction.
[18] Disney subsequently released the rights after realizing the PG-rated film they envisioned, in line with their family-oriented reputation, would require too many story changes.
Universal Pictures, which had also bid for the original rights, then bought them from Kosinski and
Radical Comics and authorized a PG-13 film version.
[4]
The script for the film was originally written by Kosinski and
William Monahan and underwent a first rewrite by
Karl Gajdusek.
[19] When the film passed into Universal's hands, a final rewrite was done by
Michael Arndt.
[20] Universal was particularly appreciative of the script, saying "It's one of the most beautiful scripts we’ve ever come across."
[13]
The Bubble Ship operated by Cruise's character was inspired by the
Bell 47 helicopter, a utilitarian 1947 vehicle with a transparent round canopy that Kosinski saw in the lobby of the
Museum of Modern Art in
Manhattan, and which he likened to a
dragonfly. Daniel Simon, who previously worked with Kosinski as the lead vehicle designer on
Tron: Legacy, was tasked with creating the Bubble Ship from this basis, incorporating elements evocative of an advanced fighter jet with the Bell 47 to create a light, functional vehicle that was both practical and aesthetically pleasing, much as he observed with the ships in
2001: A Space Odyssey. "When Kubrick made
2001, rather than going to the hotshot concept designers of the day, he hired NASA engineers," said Simon. "I believe in form follows function. I'm not a fan of excessive decoration, of putting fins on something because it looks cool." Rather than employ digital models, Wild Factory, a Camarillo concept car company, built the Bubble Ship as a 25-foot-long, 4,000–5,000 lb., mostly aluminum prop. Elements of the cockpit, such as the placement of the joystick and pedals, were customized for Cruise, who is a pilot in real life, and who had some input into the design. The craft was also made to be easy to disassemble and assemble, in order to facilitate transport to the Iceland shooting locations, where it would be mounted on a
gimbal for shots of it flying. The unmanned aerial drones that figure prominently in the plot were created to appear to be in the same design family as the Bubble Ship.
[21]
Tom Cruise had expressed interest in the film for a considerable period of time, and officially committed to it on May 20, 2011.
[22]
For casting the lead role of Julia opposite Cruise, the producers considered five actresses:
Jessica Chastain,
Olivia Wilde,
Brit Marling,
Noomi Rapace and
Olga Kurylenko, and all five auditioned on August 27, 2011.
[23] It was subsequently announced that Chastain would play one of the film's two female leads. In January 2012 Chastain entered into talks for a part in the
Kathryn Bigelowfilm
Zero Dark Thirty and subsequently dropped out of
Oblivion contention. It was later announced that the role had been given to Kurylenko.
[24] In preparation for the role, Kurylenko watched astronaut training videos as well as classic science fiction and romance films (such as
Solaris,
Notorious, and
Casablanca).
[25] "What's funny is I actually watched [
Solaris]; Joseph never brought it up," said Kurylenko. "I come from
Tarkovsky-land, and at that point I hadn't watched it for many years. I watched
the new one as well, with
George Clooney and
Natascha McElhone. The story – both in
Solaris and
Oblivion – deals with space and memory."
[26]
Production began on March 12, 2012, and concluded on July 14, 2012. Filming locations included
Baton Rouge and
New Orleans,
Louisiana.
[15][29][30][31] Much of the film was shot in
Iceland in June 2012, when the daylight lasts for nearly 24 hours a day. As well as showcasing Iceland's volcanic landscapes, the film's director Joseph Kosinski sought to take advantage of the round-the-clock light, in particular the 6pm to 1am waning light known as "
magic hour", to "bring sci-fi out into the daylight", in contrast to films such as
Alien, which spent their time in dark hulls or benighted planets.
[21][32] The single most difficult scene to film in the entire movie was when Harper takes a break to admire the view and waters a flower; it was filmed by having Cruise sit next to a 800-foot drop at the top of Iceland's
Earl's Peak, which is only accessible by helicopter.
[33] The scenes set at Harper's idyllic forest retreat were filmed at Black's Pond in
June Lake, California.
[34]
For the Sky Tower set (built on a soundstage in Baton Rouge), Kosinski and cinematographer Claudio Miranda worked closely with visual special-effects house
Pixomondo to establish both environment and lighting by the use of 21 front-screen projectors aimed at a huge wraparound backdrop to form one continuous image, rather than
blue screen backdrops.
[38] The backdrop consisted of a single seamless piece of painted white
muslin, 500 feet by 42 feet, which was wrapped around the set for 270 degree coverage.
[37] This enabled the full environment to be captured in camera, and assisted in lighting up to 90 percent of the set.
[36] If they had used blue screen on a "glass house" set like the Sky Tower, the glass would literally have disappeared into the blue lighting, and the VFX people would have been forced to reconstruct most of the set in post-production.
[37] Naturally, "the actors loved being in it" since unlike blue screen, they could look outside and actually see a sunrise or sunset.
[37] This new technique allowed them to cut down on both the effects shots, which ended up on around 800 in total, and the expenses.
[39]
To obtain the necessary footage to create the illusion that the Sky Tower set was sitting high above the clouds, Pixomondo sent a crew to film the view from the peak of
Haleakalā in
Hawaii for four days with three Red Epic cameras mounted side-by-side on a single rig.
[38] Pixomondo's Stuttgart office then stitched together the data from the three cameras to form a single gigantic video stream (with each still image consisting of 26 megapixels), and produced a variety of different time-of-day clips to be projected on the set.
[38]
On June 28, 2012, it was announced that French electronic band
M83 would compose the soundtrack for
Oblivion.
[40] On why he chose M83 to score the film, director Joseph Kosinski said, "I went back and I found my first treatment for
Oblivion from 2005 and it had listed in the treatment a soundtrack of M83. Obviously the
Tron: Legacy collaboration with
Daft Punk worked out as good as I would have ever hoped, [so] I wanted to do something similar in that I’m pulling an artist from outside the movie business to create an original sound for this film." Kosinski continued, "Daft Punk’s music wouldn’t make sense for this movie. It had to be an artist whose music fit the themes and story I was trying to tell. And M83’s music I felt was fresh and original, and big and epic, but at the same time emotional and this is a very emotional film and it felt like a good fit."
[41]
To guide Anthony Gonzalez of M83 through the scoring process, director Kosinski brought in
Joseph Trapanese, who co-wrote the score alongside Gonzalez. Kosinski states, "Together they have created the score that I have dreamed about since I first put this story down on paper eight years ago."
[42] Trapanese first came to Kosinski's attention when he collaborated with
Daft Punk on "
Tron: Legacy" as arranger and orchestrator.
[43]
In an interview with
Rolling Stone, M83 frontman Anthony Gonzalez said, "I started to write the soundtrack just reading the script, and then when you get the picture in, it's different, and you kind of switch to another vibe and change stuff and start experimenting a lot with the music." Gonzalez added, "I worked with Joseph a lot, and he's very particular about the music in his movies, so we spent a lot of time talking about music and working the arrangements together."
[44]
The soundtrack album was released on April 9, 2013 by Back Lot Music.
[45] A deluxe edition of the soundtrack was released the same day exclusively through
iTunes. It features an additional 13 tracks.
[49]
|
| 1. | "Jack's Dream" | 1:22 |
| 2. | "Waking Up" | 4:09 |
| 3. | "Tech 49" | 5:58 |
| 4. | "StarWaves" | 3:41 |
| 5. | "Odyssey Rescue" | 4:08 |
| 6. | "Earth 2077" | 2:22 |
| 7. | "Losing Control" | 3:56 |
| 8. | "Canyon Battle" | 5:57 |
| 9. | "Radiation Zone" | 4:11 |
| 10. | "You Can't Save Her" | 4:56 |
| 11. | "Raven Rock" | 4:33 |
| 12. | "I'm Sending You Away" | 5:38 |
| 13. | "Ashes of Our Fathers" | 3:30 |
| 14. | "Temple of Our Gods" | 3:14 |
| 15. | "Fearful Odds" | 3:09 |
| 16. | "Undimmed by Time, Unbound by Death" | 2:26 |
| 17. | "Oblivion" (featuring Susanne Sundfør) | 5:56 |
Total length:
| 69:06 | |
Details about
Oblivion were kept secret, though the studio was said to have been "very excited" about the film. Promotions began April 2012, with a part of the footage being screened at the
2012 CinemaCon despite the fact that filming had begun just one month prior to the event. The footage was described as "a combination of early concept art, rough animation, and unfinished
dailies," showcasing a glimpse of the film's landscapes.
[13]
Oblivion was first presented in
Buenos Aires on March 26, 2013,
Dublin on April 3, 2013 and in
Hollywood on April 10 at the
Dolby Theatre where Cruise himself announced before the screening that the film was actually the first feature to be mixed completely "from start to finish" in the latest state-of-the-art
Dolby Atmos surround sound.
[50]
The DVD and Blu-ray for
Oblivion became available online for pre-order in North America on April 24, 2013, just five days after its initial release in the region.
[51] One month later it was announced that the United Kingdom branch of Universal Studios would be releasing the film on home video in its region on August 6, 2013 with the on-demand version on August 18, 2013. The release is schedule to be in both a standard and a SteelBook Limited Edition form.
[52] In June 2013, it was announced that the film would be released on home video in America also on August 6, 2013. The Blu-ray releases will feature commentary with Tom Cruise and director Joseph Kosinski, deleted scenes, M83's isolated score, and a series of making-of featurettes.
[53] The Blu-ray debuted at number 1 in sales for its opening week.
[54]
The film closed on June 27, 2013.
Oblivion grossed $89,107,235 in the U.S. and $197,061,337 internationally, bringing the worldwide total to $286,168,572.
[5]
Oblivion received mixed reviews. Review aggregation website
Rotten Tomatoes gives the film a score of 55% based on 211 reviews, with the site's consensus stating "Visually striking but thinly scripted,
Oblivion benefits greatly from its strong production values and an excellent performance from Tom Cruise." The film has an average score of 5.9/10.
[56] Metacritic gives the film a score of 53 based on 40 reviews, indicating "mixed or average reviews".
[57]
Todd McCarthy of
The Hollywood Reporter stated "
Oblivion is an absolutely gorgeous film dramatically caught between its aspirations for poetic romanticism and the demands of heavy sci-fi action".
[58] Justin Chang of
Variety said "Insofar as
Oblivion is first and foremost a visual experience, a movie to be seen rather than a puzzle to be deciphered, its chief pleasures are essentially spoiler-proof."
[59] Kevin Harley of
Total Film gave the film three stars and said "It isn’t a reboot or reimagining, refreshingly, but
Oblivion plays like a stylised remix of superior sci-fi ground-breakers".
[60]
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- ^ "Oblivion (12A)". British Board of Film Classification. Retrieved April 3, 2013.
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- ^ a b "Oblivion - BoxOfficeMojo". BoxOfficeMojo. Retrieved August 9, 2013.
- ^ "That Oblivion "graphic novel" will probably never be published". 1 April 2013.
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- ^ Matt Goldberg (August 4, 2010). "Disney Locks Down OBLIVION for TRON: LEGACY Director Joseph Kosinski". Collider.com. Retrieved August 4, 2010.
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- ^ a b c Breznican, Antony (April 27, 2012). "CinemaCon 2012: Tom Cruise dives from heaven to hell in Oblivionfootage". Entertainment Weekly. Retrieved May 8, 2012.
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- ^ Kit, Borys (March 16, 2011). "Karl Gajdusek Tapped to Re-Write Disney’s Horizons (Exclusive)". The Hollywood Reporter. Retrieved March 21, 2012.
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- ^ "Tom Cruise Joins Oblivion, Joseph Kosinski's Sci-Fi Film". The Huffington Post. May 21, 2011. Retrieved May 8, 2012.
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- ^ Vineyard, Jennifer (April 22, 2013). "Olga Kurylenko talks "Oblivion," "To The Wonder," and "Erased"". IFC.com. Retrieved April 25, 2013.
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- ^ "Boxoffice Business for Oblivion". IMDB. Retrieved December 31, 2012.
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- ^ Helena de Bertodano, "California: moments from Tom Cruise's Oblivion", The Daily Telegraph, 28 April 2013.
- ^ Giardina, Carolyn (April 15, 2012). "NAB 2012: Sony Launches $10,000 Super Slow Motion Camcorder With 4K Sensor". The Hollywood Reporter. Retrieved October 9, 2012.
- ^ a b Frazer, Bryant (April 4, 2013). "Cinematographer Claudio Miranda on Oblivion and Life of Pi". Studio Daily. Retrieved April 25, 2013.
- ^ a b c d Jon Fauer, "Claudio Miranda, ASC on “Oblivion",Jon Fauer's Film and Digital Times, 29 March 2013.
- ^ a b c Vincent Frei, "OBLIVION: Bjørn Mayer – VFX Supervisor – Pixomondo", Art of VFX, 16 April 2013.
- ^ Interview: 'Oblivion' Director Joseph Kosinski on Sci-Fi Filmmaking
- ^ Jagernauth, Kevin (June 28, 2012). "Exclusive: M83 Scoring Joseph Kosinski's Sci-Fi Film 'Oblivion' Starring Tom Cruise". The Playlist. Retrieved April 24, 2013.
- ^ Weintraub, Steve (December 30, 2012). "Exclusive: Joseph Kosinski Talks OBLIVION, Working with Tom Cruise, Getting M83 to Compose the Score, the Film’s Unique Design, the IMAX Release & More". Collider.com. Retrieved April 24, 2013.
- ^ [1] ComingSoon.net Retrieved May 22, 2013.
- ^ [2] LA Times Retrieved May 22, 2013.
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- ^ a b "Oblivion - Original Motion Picture Soundtrack: M83: Amazon.co.uk: MP3 Downloads". Amazon.co.uk. Retrieved 2013-04-19.
- ^ Phares, Heather. "Oblivion [Original Motion Picture Soundtrack] – M83". Allmusic. Retrieved April 24, 2013.
- ^ "Album Review: Anthony Gonzalez and Joseph Trapanese – Oblivion: Original Motion Picture Soundtrack". Consequence of Sound. 2013-04-08. Retrieved 2013-04-19.
- ^ Howe, Brian (April 26, 2013). "M83: Oblivion OST".Pitchfork Media. Retrieved April 26, 2013.
- ^ "iTunes – Music – Oblivion (Original Motion Picture Soundtrack) [Deluxe Edition]". Apple Inc. iTunes. April 9, 2013. Retrieved April 24, 2013.
- ^ "Cruise in Dublin for movie and Irish roots". RTE. April 3, 2013. Retrieved April 20, 2013.
- ^ "Oblivion with Tom Cruise Blu-ray Pre-Order Live, No Release Date Yet". The HD Room. April 24, 2013. Retrieved April 25, 2013.
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- ^ "Oblivion Blu-ray". Blu-ray.com. June 4, 2013. Retrieved June 4, 2013.
- ^ 'Oblivion' Debuts at No. 1 on Blu-ray, DVD Charts
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